In the dark ages everyone got much poorer and tools became simpler. Round objects were more likely to be carved with a draw-knife than turned. Even so, lathes probably never completely went away. By the High Middle Ages wood turners, using simple spring pole lathes, were in business throughout Europe, often unpacking their lathes and setting up in the middle of forests so as to be near a steady source of green wood. Spring pole lathes are deceptively simple. A rope or thong is wrapped around the work. One end is tied to a springy rod (often a handy tree branch) while the other is attached to a pedal, or just tied to the turner's foot. When he steps down the work rotates and he takes a cut. When he raises his foot the spring pole rotates backwards. As primitive as spring-pole lathes are, however, they can potentially do every operation that a modern store-bought electric wood lathe can.
Spring Pole Lathe [Flickr user Mark, CC-BY 2.0]
Spring pole lathes do have one big drawback, though: they you can only cut for half the cycle. This problem was solved with the invention of the treadle lathe, which uses a crank rod attached to the treadle to rotate a flywheel which in turn rotates a drive center through a belt and pulleys. This style of lathe was also easy to connect to an external power source--initially a water wheel, but later a steam engine or electric motor. Many turners actually preferred treadle power, however, because of the fine-grained speed control it gave for delicate operations like threading.
The first treadle lathes were made of wood, as the spring pole lathes had been before. The advent of iron casting, however, allowed for the mass production of lathes in various standard sizes. In the 19th century cast iron treadle lathes were ubiquitous in every kind of shop or factory as well as in home workshops. In his 1869 book on lathe work (definitely recommended reading), Egbert Pomeroy Watson extols the virtues of the lathe as a must-have DIY tool,
There is no family in this country that would not find it economy to have a foot lathe in the house, where the members have mechanical tastes—not necessarily the male members, for ladies use foot lathes, in Europe, with the greatest dexterity. Some of the most beautiful work ever made, was by Miss Holtzapfel, a relative of the celebrated mechanist of the same name. If there are shovels to be mended, the lathe will drill the holes and turn the rivets. If the handle of the saucepan is loose, it will do the same. If scissors or knives want grinding, there is the lathe; if the castors on the sofa break down, there is the lathe; if skates need repairs, either of grinding or of any other kind, there is the lathe. In short, it ought to be as much a part of domestic economy as the sewing machine, for it takes the odd stitches in the mechanical department that save money.
The first lathe I ever used was a Victorian treadle mini-lathe that lived in my Grandfather's basement. He used to use it to make knobs and handles for kitchenware and toys for us grandchildren.
Most of these lathes looked very much like a modern wood lathe, with a simple iron tool rest which was used with various hand tools, but turners used them to work metal as well as wood. The cylinders and threaded parts for the first few generations of steam engines were turned by hand, as were most gun barrels prior to the civil war. Precision metalworking on a simple lathe is absolutely possible!
The mid-19th century saw the next major step in the evolution of the lathe: the engine lathe. These machines used tools clamped in a holder which was attached to a carriage that was moved with hand wheels, allowing for more precision in less time. A further addition of a lead screw (providing a power feed for the carriage) and change gears (for automatic threading in standard pitches) led to the direct ancestors of modern metal lathes. The standard wood lathe and engine lathe have remained relatively unchanged since then and are still a basic part of well-equipped woodworking and metalworking shops, but the late 19th and 20th centuries saw the emergence of a profusion of special purpose lathes optimized for particular jobs: bowl lathes, metal spinning lathes, brake drum lathes, pipe machines (a lathe designed to cut and thread pipe on job sites), and many others. In the second half of the 20th century the focus was on automation. Production wood lathes gained duplicator attachments to rapidly copy table legs and similar pieces by following a template. Metal lathes gained turrets which held several different tools for rapid selection. With the advent of CNC technology the turret lathe became fully computer controlled.
At the same time that production lathe technology was heading towards specialization and automation, however, there was a growing interest in simple lathe designs which could be built cheaply and used for a wide variety of tasks. One of the first to publicize this sort of lathe was hand tool woodworking guru Roy Underhill, who has built and demonstrated several simple foot-powered lathes on his PBS show The Woodwright's Shop and currently teaches a class in how to build your own spring-pole lathe. Prior to becoming a TV personality Roy toured the craft-fair circuit with a treadle lathe built mostly out of construction lumber, doing spindle turning while playing the harmonica. All of his lathes are built out of wood with only a few metal parts. In the 1980's Dave Gingery came on the scene with a series of books about how to build a machine shop from scratch. The core of his program was a simple but versatile engine lathe built from pot metal and aluminum castings. Many thousands of hobbyists have since built and used Gingery lathes. More recently, there has been an upsurge in interest in a WW I-era engine lathe design by Lucien Yeoman which was created to rapidly tool up munitions factories. Yeoman lathes are built mostly out of concrete with pipe ways. They require no foundry work and only minor welding. Yeoman lathes can typically be scaled up larger than Gingery lathes because the latter are limited by the amount of metal you can heat in a single pour. My own lathe design incorporates elements from the Underhill, Gingery, and Yeoman designs, and was largely dictated by the tools and materials I happened to have on hand. I don't have a foundry or a welder, but I did have a box of old bicycle parts and plenty of wood. Also, I have pretty complete sets of woodworking and bicycle tools (I'm a journeyman in both those trades) but only basic metalworking tools. So I built a lathe mostly out of wood, like Roy Underhill, but with pipe ways like Yeoman. The headstock bearings and spindle are a bicycle bottom bracket and I used bicycle quick-release levers to lock down the tool rest and tailstock. Gingery's book was constantly at hand as I designed, machined, and assembled the various pieces.
Roy Underhill with one of his lathes
A Yeoman Lathe [courtesy of opensourcemachinetools.org]
Since completing the Handy Lathe six month ago I have used it for numerous projects in wood, plastic, and metal, and it works pretty well. The biggest problem I have is that the headstock spindle occasionally gets bent and I have to realign it (a fairly easy process involving a surface gauge and a big Crescent wrench. I am in the process of setting up a small foundry which will allow me to sand-cast parts. When it is done I plan to build a Gingery-stylr carriage and tool-holder to make the Handy Lathe into a true engine lathe. I also plan to turn a beefier spindle as soon as I find a big enough chunk of steel. My long term plan is to use the Handy Lathe to machine the parts for my dream lathe, the Handy Lathe Mk. II, which will be a full size machine with a geared transmission. For now, though, the Mk. I suits my needs quite nicely and I also think it would be a good first machine for someone who wanted to learn turning.
The Handy Lathe
